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Missing

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    Missing is a gripping story of a brother desperately searching for his missing sister in a sinister world of deceit and unknown peril. It is a modern day fairytale about two poor children surviving desperate circumstances through a rich mix of imaginative power, loyalty, love and sheer cunning.
    --

    Creators
    Charles Way, playwright
     
    Details
    35 pgs., 2 female, 5 male (doubling possible)

    Originally co-commissioned by Theatr Iolo and Germany’s Theater Consol in 2009.
    Run Time: 90 minutes (can be cut for competition) 
    Audience Recommendation: 13+ 
    Performance Licenses are only available in the United States and Canada. 

    Click HERE to request a performance license.

    When asked, what the inspiration was behind the play, Charles Way said:

    “Consol Theater in Gelsenkirchen, Germany were performing one of my plays, Red Red Shoes at a festival in Berlin and I was very impressed by the quality of the production which won several awards. The director, Andrea Kramer felt the play gave a director ‘room to move’ – and would be interested in working with me on a new project. She spoke of her desire to address the issue of ‘poverty’ since there is a great deal of ‘poverty’ in the district where her theatre is. A region, not unlike parts of South Wales with a collapsed mining industry.

    “I returned to Britain, and began to think of stories I knew about poverty, and ‘Hansel and Grethel’ came to mind. At the time, the tragic episode of Karen and Shannon Matthews was under discussion in the media and the family were described as ‘the new poor’. I began to address, not the ‘issue’ of poverty but the ’question’ of poverty. What is it in a country where almost everyone has their basic needs met? I then began to merge the story of Hansel and Grethel with several real life stories from across Europe where emotional poverty had led to dramatic incidents, and ‘Missing’ or ‘Looking for Grethel’ came into being. I wanted to write a text that allows a director ‘room to move’ – and as a consequence it is not written in the style of an ordinary play. The director and actors can decide who say which lines. The play has a storytelling quality but can be performed in a very physical way.”

    *Winner of the 2010 German Children’s Theatre Award

    Click »here for a PDF excerpt. (Adobe Acrobat is required)

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